deadverse recordings




Dälek Tour Dates



Conceived in New Jersey from its emerging DIY scene from the late ‘90s, cult hip-hop trio DÄLEK were known as pioneers over the last fifteen years for their intriguing sound which fuses a blend of progressive hip-hop artistry supported by a rhythmic backdrop consisting of sonic experimentation through noise music and dark ambient gaze. Their singularity would be highlighted in five groundbreaking full-length albums: Gutter Tactics (2009), Abandoned Language (2007), Absence (2005), …From Filthy Tongue of Gods and Griots (2002) – all released on Ipecac Recordings – as well as Negro Necro Nekros (1998) on Gern Blandsten. DÄLEK supported those albums on tour for over a decade and have shared stages with influential artists such as KRS One, Tomahawk, The Melvins, TOOL, Grandmaster Flash, Jesu, Dillinger Escape Plan, Pharcyde, RJD2, DeLa Soul, Prince Paul, Lovage, ZU, Black Heart Procession, Gaslamp Killer, Earth, Flying Lotus, The Bug, Mastodon, Fantomas and more. In 2011, DÄLEK quietly went on hiatus for an undetermined amount of time, as the members needed a break from the rigorous schedule on the road.


Fast forward to Spring 2015, mastermind and producer MC Dälek (a.k.a. Will Brooks, with the blessing of ex-member/co-producer Oktopus) revived DÄLEK with a new lineup which now includes DJ rEk on turntables and co-producer Mike Manteca on samplers and effects. The trio have returned with their signature mind numbing, genre bending blend of beats, noise and lyricism with their highly anticipated first official DÄLEK release since 2009’s Gutter Tactics. Titled Asphalt For Eden, this new album sees a new creative peak for DÄLEK that brings new awareness for this cult hip-hop entity, now resurrected and ready to show a formidable display of true hip hop artistry and experimentation. Asphalt For Eden also marks DÄLEK‘s first collaboration with progressive music label PROFOUND LORE who released the album on April 22, 2016 to critical acclaim and praise from old and new fans alike.


DÄLEK continues to add to their lengthy and storied touring legacy. Their live performances are known as intense events that often end in a shoved mic stand and sonically assaultive layers of sound. Witnessing DÄLEK live is like coming face to face with the bastard child of Public Enemy and My Bloody Valentine; an amalgamation of the heaviest noise that the Velvet Underground or Merzbow ever unleashed and the knowledge spit by the likes of Rakim. The trio leaves you in a trance, sends shivers down your spine from the haunting beats intertwined with ambient textures and noise scales, and hits you with a powerful raw flow from one of the most charismatic MC’s of his, or any, era.


DÄLEK’s take on hip-hop is foreboding and hypnotic in a way that feels unexpected; sure, in the Age of Future, creepy, dark vibes are almost de rigeur, but DÄLEK takes it a step further towards the abyss by incorporating a seething electronic edge—think Einstürzende Neubauten, not Soundcloud.” – Noisey







Erik Larson:



North America:


Andy Rice:
Tel: 323-424-4970 x115




Gee Goll:


Sofi Nowell:







North America:

Stephanie Marlow:




Lauren Barley:







What people say

“A tour de force of an album that further cements the bands place in the elite league of hip-hop artists that are still taking this art form further and further into the stratosphere.” – Louder Than War

“Dälek took hip-hop into new stylistic realms before. This time, although Brooks and company may not have specifically intended as much, on Asphalt for Eden, hip hop ascends into the noosphere.” – Pitchfork

“Mixing the searing political rhetoric of Public Enemy, the suffocating shoegaze textures of My Bloody Valentine and the primal appeal of squealing industrial noise…” – Rolling Stone

“…Asphalt for Eden is thoughtful and eclectic, blending elements of shoegaze, industrial, boom-bap, and ambience both sedative and rousing.” – Sputnik Music

“Nearly every moment on Asphalt For Eden weighs heavily on the chest and threatens to collapse the cavity.” – The Quietus